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Honoring Roots: The Ancient Olive Tree of Vouves

It has been famously stated that, while ‘poems are made by fools like me/only God can make a tree.’ This is a truth so obvious it almost doesn’t need to be said. I, ever the poet, languish on my silly little travel blogs while God divinely calls forth mighty oaks from saplings, or great pine trees from tiny cones. I’m not envious, really. He sticks to what he does best and I stick to what I do best and we all get along swimmingly. As a result of the divided labor, however, trees were never at the forefront of my consciousness.


That’s not to say I never spared any of my thoughts for the trees. In my youth, my father spent a great deal of his time (and, as a result of my status as child, my time) at plant nurseries, finding the most beautiful trees to plant and rear with love and care in our growing garden paradise. While I was supportive of this in the abstract, I had no real desire to join my parents in the hard work of actual gardening. In my mind, the Florida sun was only fun if I was at the beach, a theme park, or doing some sort of activity that was catered to…well, me. Though I was often enlisted to assist against my will, nothing about hard work in that heat appealed to me. While I can look back on those memories with a relative fondness, today I am content to live in an apartment where I barely remember to water my little cactus once a month.


My childhood instilled in me a respect for trees, even if I don’t go out of my way to cultivate a green thumb. I’ve helped plant them, I’ve harvested fruit from them. I’ve watched my parents work tirelessly to attempt to save sickly ones, transplanting trees delicately from one part of the yard to the other in an effort to give it more sun or more shade. I grew up with the constant reminder that deforestation was a legitimate issue, with campaigns to save the rainforest everywhere there was an iota of environmental awareness. Save the Trees! Plant a Tree! Hug the Trees, Kiss the Trees, Speak for the Trees! Trees faded into the background of my life as a nice thing to appreciate during walks in the evening or strolls through a botanical garden, but they did not occupy much space in my thoughts besides. They gave me oxygen, I took them for granted.
But on the island of Crete resides a very special tree. I had heard about it in passing, a small factoid dropped in an otherwise casual conversation, but it struck me as such an odd thing to consider ‘casual.’ To be told that one of the oldest living trees in the world currently lives and breathes only 146 kilometers from the villa you’re vacationing in sounds like a bombshell. Something about being in the presence of a practical immortal filled me with curiosity, and I made a point to see with my own eyes the Ancient Olive Tree of Vouves.


The Olive Tree of Vouves is not, as I first thought, the oldest living tree in existence. This honor belongs to Methusela, a Great Basin Bristlecone Pine tree that resides in the White Mountains of California. If we factor in the different types of trees such as clonal colonies, angiosperms, gymnosperms, and a million other words that I learned just to write this cursory sentence, you’re going to have a difficult time narrowing down just which tree you want to visit. But the Olive Tree of Vouves is estimated to be the oldest living olive tree, and on a place like Crete, that is no small thing. Olive trees are nourishing. Their fruit has sustained civilizations upon civilizations, from the days of the Minoans to the modern day. Their wood is beautiful, and when treated right, makes furniture that lasts. Their branches have come to not only represent victory, such as when crowns made from their branches were woven into crowns during the Olympics, but also as a symbol of global peace. Of all the trees to survive the test of time, it is the olive tree to keep persisting.


The tiny town of Ano Vouves a little ways west of the city of Chania. The winding roads are surprisingly easy to navigate, and though at times you are required to pass through the villages carefully, it isn’t hard to reach. You see the tree before you even come to a complete stop, unable to miss the gargantuan trunk and mass of branches. Parking is easy, right in front of the tree itself, which is good because once you’ve made it there, it’s difficult to look at anything else. Around the tree, the buildings all cater to the celebration of The Olive, from a tiny museum related to how olive harvesting was carried out, to olive oil-based products, and even a café that sells ice cream and olive oil products, all from those olives harvested by a tree in the center of the square. This is the oldest olive tree in all the world, though the signage indicates we cannot be more precise. We are able to place the tree anywhere between 2,000-4,000 years old, but cannot test for sure due in part to both the age of the tree and the fact that the heartwood, the thick center of the tree, is no longer present. Scientists at the University of Crete are responsible for giving us as close of an age approximation as we have.


The tree itself is a great, imposing thing, almost akin to a great sleeping god rather than tree. It is within a dirt patch, with bricks creating an ankle-height wall around it. It is thick, its’ knotted wood twisting and knotting in great patterns across its’ trunk stretching into the ground like thick legs. It gives the impression that at any time, this hulking beast of a tree could uproot its’ mighty legs and walk away. It is perhaps the thickest olive tree I’ve ever seen, almost 15 and a half feet in diameter, and yet the only olive tree I’ve seen that is hollow at its’ center. Instead, if you’re so inclined, you can peek through into the center of the tree, stepping into another world of dappled light, bugs, and the sound of a breeze wafting through the leaves. It is almost as if the tree body has become a living temple to nature, complete with a choir of cicadas singing hymns to olives.
I touched the tree, and touching a living thing that was old enough to be domesticated by another civilization astounded me. It was like touching something holy, and in many ways I suppose I did touch something holy. What is holier than a tree that fed and nourished not just the Greeks, but the Minoans before them? One of the first wild olive trees to fall tame to the hands of man, outlive them all. Still it lives. Still it breathes. Still it grows its’ roots into the Cretan earth, still it produces olives for the locals of Vouves to take, to grind oil from it, to take care of the tree in return.


When I visited the tree, there were children playing all around the square. I wondered if it must have always been like this, the sun shining down on this great tree as it watched the world around it live, running about just like the ants about its’ branches. I wondered if it could feel my touch, what level of awareness such a thing like that could have. I wondered if it was, perhaps, the oldest living thing, let alone tree, in all of existence. I wondered what all of that meant.


I was not there for longer than perhaps an hour. I stayed for some ice cream and watched the tree from the covered patio as I ate, listening to the cicadas, feeling the breeze on my own skin. I smiled at the sound of a tourist train coming to fetch passengers to other places, possibly to Chania which was only 30 miles away. The sunset was coming, and with it the beloved Golden Hour all photographers chased, and I felt that the tree was more beautiful than anything I’d ever seen in my relatively short life. I would be a blip, if that, in the lifespan of this tree. I would not even be a memory, if trees are capable of such a thing. But the impression that this giant of branches, leaves and wood left upon my mind is set in stone. I felt a peace I’ve only felt in the halls of forgotten churches, in quiet cemeteries, in hallowed ground.


If only God can make a tree, he certainly knocked it out of the park with this one.

By Katarina Kapetanakis

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Destinations

Mountains of Mayhem: A Journey into the Mountains of Crete

It began, as most half-way decent stories do, with a misadventure in a small mountain town.

I woke that morning with a plan, a mission. I’d found out about a Museum of Musical Instruments thanks to a cursory google search, and as I am a great lover of music and a collector of instruments, (which I will one day learn to play, I promise), I really wanted to pay it a visit. The only problem? The museum was located in the small mountain town of Krousonas, and at this point in my travels I was not yet used to driving through mountain towns. The second problem, the fact that the museum closed at 2pm, was an afterthought. Still, it was my job to investigate the fun, lesser known activities around Crete, so I shoved my doubts about driving aside and grabbed my sister. Together, with my sister acting as navigator, we booted up the GPS, rolled up in my grandfather’s 1997 dark green Honda CR-V, and drove up into the mountains. 

A word on Krousonas: I did not give it a fair shake. Not at all. I was there for one specific museum and was hyper-focused on trying to figure out where the hell I was supposed to park in this extremely residential area, and I panicked. My sister and I came to the conclusion that we’d have to walk, navigating streets far too small for even my grandfather’s ancient car, so I found a place I hoped I was allowed to park and did my best to ignore the judgmental eyes of the town’s elderly population, whose icy stares was enough to make the Mati turn it’s entire gaze my way. A fun personal note: I learned to parallel park that day, under the watchful eye of every Yiayia and Papou in a two-mile radius. 

Krousonas is actually quite nice to look at, and quite picturesque. The mountain village is, for lack of a better word, authentic. If you truly want to see how the Greek people live, drive to a town like Krousonas, where few tourists know to venture. It’s complete with an atmosphere that lets you know that everyone who sees you knows you do not necessarily belong there, even if you’re used to passing for native Cretan in downtown Heraklion. If you look up Krousonas on wikipedia, you’ll only find how large it is, (25.109 sq mi), how many people live there, (2,564), and which municipality it belongs to, (Malevizi). None of this information helped us any as my sister and I hiked up and down the steeply inclined roads, our GPS leading us in circles. At one point we thought we had found it, but a quick peek through the windows led us to believe we were in danger of committing a home invasion accidentally, so we backtracked. We spent two hours in this manner, with a brief interlude where a kindly old woman tried to give me directions only for language-learning apps to fail me completely. Had she only asked me “where is the pink avocado?” or even “Where is the smoking camel?” perhaps we would have gotten somewhere, but a certain green owl had neglected to share the more vital phrases, such as directions, into my brain. After sweating our asses off until the museum was officially closed, we hiked back to the car in defeat. 

Still, it wasn’t a complete loss: the local church was a gorgeous sight to see from the outside (I was not exactly dressed to go inside, so I settled on observing it from a distance). Just outside the church was a bust of who I first assumed was a figure-head, perhaps a local politician, before I noticed the name: Antonis Grigorakis – Satanas. I let out a poorly timed expletive and quickly took a picture, before sending it to my father to verify if it was in fact our distant relative and noted Cretan revolutionary. After a confirmation (and a confused flurry of texts asking why we were in the middle of a tiny village), my sister and I took turns taking selfies with our ancestor before sadly hopping back into the scorching, AC-less Honda CR-V. 

I wasn’t sure what the next step was. What I wouldn’t give for a Me, someone who wrote incredible travel blogs that pointed visitors to Wine Dark Sea Villas in the right direction for interesting stops around Crete. But alas, there is only one me, and I had to do the hard work of having a great vacation. I was about to consider the day a wash and make it yet another beach day when my sister spoke up, reminding me about a theme park we’d seen ads for while at Dinosauria. The idea intrigued me. The ads had billed it as the first theme park centered around Greek mythology in all of Crete, and I am always ready to visit a theme park, no matter what kind it is. What would that look like? Would there be roller coasters, or would it be more of a walking fantasia? As the resident lover of the Creative and the Camp, I was down for anything.

I turned the key in the ignition and handed my sister the GPS, allowing her to lead us once more onto a new adventure. 

Had I left directly from Villa Bella Mare, the drive would have taken me an hour and eleven minutes. It’s a fairly simple drive, following the A90 to the E75 to Malia, up into the mountains as the GPS leads you onward. In a standard rental, this drive isn’t an issue, and leads to some spectacular mountain views. The majestic Lasithi Plateau gets to shine in full force as the road’s sheer drops magnify the mountainsides, and as the sun sets, the colors reflected are some of the most gorgeous. However, I was not in a car that was really meant to be driving up mountains. In fact, if the check engine light was to be believed, I was not in a car that was meant to be driven at all. I really felt this as we began our uphill trek into the mountains, the sharp incline causing me to slam the gas so I wouldn’t fall backwards onto the cars behind. Dear God, I begged, please let everyone stop tailgating me, I am doing my best. Still, the drivers behind, who couldn’t know the struggle my poor Grandfather’s car was under, let their frustration be known until we were in a place safe enough where they could pass me, (or they simply lost their patience). After a 45 minute-eternity, white-knuckled and wondering if we had enough gas to get home, we pulled into the parking lot.

You may remember an article I wrote about Lasithi once before, where I hiked up and into the Dikteo Cave, famous in myth as being the cave of Zeus’s birth. So you can imagine my surprise when I realized I was in the exact same parking lot of said hike. We’d chosen a peak hour to visit, and were forced to drive to the parking lot by the souvenir shops. Though the parking was still free, we were asked very politely by the store owner to please be sure to purchase something from his shop in order to make up for it. As I am a lover of spending money on trinkets, I enthusiastically agreed, and we rounded the corner to the entrance of the Mythological Park.

The enthusiastic worker at the front desk was very passionate about the park, and told me that it had been built in 2020. This was a 6 year passion project on the part of the Pitarokilis family, and is proudly the first mythological park in all of Greece, let alone Crete. Now, if you’re expecting rides, you may be disappointed: the Mythological Park is a walk-through exhibition, designed to immerse you in mythology, not to subject your body to 6 Gs and sudden drops. But what immersion! Every exhibit is a piece of mythology come to life, from the princess Ariadne who leads you into the labyrinth, a recreation of the palace of Knossos, to the great scene of Theseus slaying the Minotaur. Haunting audio thrills the imagination as you walk past tableaus of the sacking of Troy, of bull-jumpers, and Daedelus and Icarus taking flight. One of my favorite parts of this first chamber was the recreation of the infant Zeus, (who, if you remember, was born on Crete), whose cries were masked by two guards who clashed their swords as loud as they could to hide him from his father, Kronos. The immersion of the audio left quite the impression on me, and was the last interior exhibit seen before I stepped back out into the bright Cretan sunlight.

The park doesn’t end with the indoor tableaus. Instead, visitors are met with a grand sculpture of Zeus, with the surrounding walls detailing the Greek Pantheon and more scenes from mythology. It’s designed to look like a grand temple, though there is no roof. But the most interesting part is the large hole in the floor, surrounded by rod iron railings. Though you cannot descend, you can peer down into a gateway to the underworld, where the sounds of shades standing before Hades, Persephone (and a menacing Cerberus) echo in the cavern. I wish I could have descended into the Underworld for a closer look, but perhaps it’s best to leave such a descent to Orpheus or Heracles. 

I continued walking around the outdoor temple for a while, the hot Cretan sun beating down on me mercilessly as I admired the reliefs and statues of Poseidon, the birth of the Minotaur, Atlas, and the nine muses. The path of the park is one way, and leads visitors through a giant pot, where the figure of Greek philosopher Diogenes resides with his faithful dog. For those unaware of one of history’s most intriguing minds, Diogenes was an irreverent philosopher who founded Cynicism. This large pot was a recreation (though perhaps an exaggeration) of the real clay wine jar he resided in. This exhibit marks a change in the mythological park from myth to reality: once you step out of the pot, you are transported to Crete in 1967.

Designed to be a recreation of one of the many villages in the Lasithi Plateau, we are taken back to a time where the mountain agricultural lifestyle still reigned supreme. There is also, as a highlight, a gorgeous chapel that plays chants on a continuous loop. The art inside is a tribute to the Orthodox style of icons, and is complete with an altar and candles for prayer. You can even make a donation and light one yourself, as you sit and admire the beautiful cave-like chapel.

As you exit the park, following the path into the gift shop, visitors are greeted with one last mythological tableau: The Argo, Jason’s mythical ship, sailing to the Golden Fleece. The gift shop, coincidentally, contains souvenirs that come directly from the Pitarokilis family shop, and is full of statues, ceramics, olive oil products, and even some delightful raki (that I did purchase, and have since consumed with great fervor). We were then told that the larger shop was just a little ways down the mountain, and was impossible to miss: the storefront was lined with rows of windmills, telltale signs of Lasithi, and statues upon statues. This store was one I’d passed several times on my way to visit Zeus’s Cave in the past, and I was excited to pay it a visit at last. After bidding the Mythological Park a fond farewell, (and stopping to purchase a delightful rug from the store next door in accordance with our pact with the shopkeeper), my sister and I decided to stop at the Pitarokilis family store. 

If ceramic souvenirs are what you’re hoping for, be it pottery recreations or statues, this is the place to shop. It is a deceptively enormous store, filled with incredible handmade works that seem to go on for miles. I wished in that moment that I was made of euros, for there were full sets of handcrafted bowls and plates I would have loved to return to the States with. Beautiful plaster statues of my favorite gods, including the lesser depicted ones, adorned shelves, taunting me by being just a little bit out of my price range. I got a demo of the famous Pythagoras cup, also available for purchase, before making my way to the back of the store. A ramp leads you further into the expansive store, this section exclusively for olive oil, karob, and raki products. Things in this section range from skin care to consumables, including some olive spreads I enthusiastically purchased, fantasizing about how I would enjoy them for breakfast for each remaining day of my vacation. The skin care section was even more incredible, with products that contained olive oils, dead sea salts, volcanic soils purporting to have special properties I no longer recall, and many more. I have been faithfully using the products I bought as my skincare routine, and I do have to say that my skin has never felt better. In times where I grow anxious about how I will continue my routine now that I am back in North America, I am comforted by the thought that they do, in fact, ship. 

It was right around the point where I was disassociating from my incoming credit card bill that the woman who rang me out asked if we were interested in the pottery workshop. I had no idea what she was talking about, but my sister, who is an artist herself, was eager to learn. This was when we were led even further in the back, down some stairs into the Pitarokilis family workshop. Most, if not all, of the souvenirs sold in the shop (and in the gift shop of the Mythological Park), are made here, as were the exhibits found in the park. It was an exciting peak behind the curtain as we were led further in, our host taking us to the maestro potter who would be walking us through what to do. 

For only 4 euros a person, you too can participate in this workshop. Don’t worry if you’ve never worked with clay before, or if the words ‘potter wheel’ strike fear into your heart. You’re guided through every (extremely messy) step, and by the end of it you’ll have your very own tiny vase or pot. I loved the feeling of manipulating the wet clay, as if I was reconnecting with some ancient part of my own Greek heritage. It was so incredibly tactile, so grounding to feel a part of wet earth take shape in my hands, even if they were being guided by someone much more experienced and talented than myself. After we were cleaned up, the maestro led my sister and I to a stalagmite-covered throne, and after he helped us into some togas, we took photos meant to evoke a Persephone-like energy. I feel like we came close. 

We packaged our tiny pots carefully, as they wouldn’t be completely dry for at least a day, and hopped back into our grandfather’s aged car for what we hoped would be an uneventful drive back to Villa Bella Mare. In the end, the only think remarkable about that drive was the sunset casting it’s fiery hues across the mountains, eventually making our way to where it turned the sea into a delicate purple. Perhaps Hephaestus had a hand in it, considering our day had been spent admiring the act of crafting. In the end, the misadventure had turned into an outright journey across the mountains of Crete, and we returned to our villa with a feeling of accomplishment. 

Oh, and if you’re still curious about the Museum of Traditional Musical Instruments, never fear: it has since moved to downtown Heraklion, where the judgmental Papous are only judging you half as much as you think they are. 

By Katarina Kapetanakis

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Destinations

Double Feature: Or, How the CretAquarium and Dinosauria Helped Me Feel Like a Kid on Vacation

I spent most of my childhood in the little-known, secluded seaside town of Miami, Florida, and as such I am no stranger to aquariums. An appreciation of marine science was ingrained in me at a young age, and though it never went farther than that, (note how my career has focused almost exclusively on the written word), visiting aquariums remained a favorite pastime. I tend to seek out aquariums every time I travel to a new place, and usually spend at least one happy afternoon whiling away the hours with the sea creatures on display before I continue on with the more traditional vacation spots.

But this time, I was in Crete, Greece. Crete! Land steeped in history, mythology, culture, and scenic backdrops to make your Instagram followers quake with FOMO envy. I had more than enough to occupy my time, between the gorgeous ruins and crystal clear ocean waters. I was busy with museums, new towns, pink-sand beaches, and mountain hikes. Did I really need to seek out another local aquarium?

Of course I did. How could I not want to see it, after seeing signs plastered all over town? Since I was traveling with my sister, I posed the question to her: did she want to see the CretAquarium? She immediately assented, especially after she found out it was located right next to a dinosaur theme park. But I’m getting ahead of myself.

The CretAquarium is located in the town of Gournes, just 15km outside of Heraklion. From where my sister and I were staying in Wine Dark Sea Villas’ Villa Bella Mare, it was about a 20 minute drive down the leisurely A90 highway until the Old National Road, and from there it was a simple matter of trusting the maps app implicitly.  The CretAquarium is located in what is best described as an ‘educational compound,’ where two other science-based attractions, a planetarium and the aforementioned dinosaur park, greet you before your final destination. I followed the signs along the winding road to the aquarium and found, to my surprise, a lovely beach. While I suppose the possibility of a beach should have been something I was prepared to take advantage of, considering Crete is in fact an island, the idea of making my trip an aquarium/beach day combination had not crossed my mind. My advice is, on your next trip to Crete, always keep a bikini in your back pocket in case of emergencies like this.

The CretAquarium is a large, rounded building, adorned with a picturesque mosaic of an undersea scene. In a shallow fountain, a model submarine used for undersea exploration sits as you make your way to the entrance. A giant, plaster octopus that sits above the door, beckoning in visitors who have since found themselves distracted by the numerous and overly affectionate stray cats that wait for visitors to share their café snacks. Still, the promise of air-conditioned relief is often enough to pull people away, and was in fact just what I and my sister needed to prompt us to enter the building before another cat begged for our attention.

My ears were instantly bombarded by the sounds of excitable children who were eager to move through the line and into the tunnel leading to where all the fish lay, which was perfectly understandable. But I chuckled at the sheer number of couples, all either in their late teens or early twenties, who were eager to use the low lighting and shimmering lights as the way to set the mood for a romantic interlude. My sister and I, for our part, wasted no time in indulging in the whimsy of it, posing for pictures in the low blue lighting of the entrance. Speaking of color, the CretAquarium is actually the first aquarium in the world, not just the country, to be accessible for the colorblind. Upon entering the museum, should you need it, there are QR codes posted for a free app called ColorADD that the aquarium has made an effort to integrate into their exhibits.

Inside the aquarium proper I was initially taken aback at the dulcet tones of Enya playing softly over the speakers. I had never considered how aptly her music is suited for watching large, colorful fish drift beyond a pane of glass as artificial light filters through the waves. It was an interesting and, dare I say, oddly beautiful experience. I felt that this might be the closest I could come to experiencing what a day in the life of an undersea creature must feel like, minus the constant struggle for survival. I’m sure the music was accurate to what they would experience. It was incredibly appropriate, and my sister remarked as such. The informational plaques, written in both Greek and English, were incredibly informative. I had no idea of the richness of biodiversity in Greece’s waters. I knew that there was a variety of fish, to be sure. Cretan seafood is one of my favorite things about the island. But learning that Crete’s waters were also home to such a variety of life was a wonderful truth to discover.

In between the ethereally lit fish tanks, their bluish silver water casting ripples of light on visitors and the surrounding alike, hung suspended skeletons of sea creatures from another age. Whether they were casts or originals, I could not say, but I stared in wonder at what was supposed to be the skeletons of ancient turtles and bottle-nosed dolphins. I admired the great rock faces of what could have been incredible undersea reefs, ruined temples sunk beneath the waves, and a shipwrecked wooden ship that housed a dummy dressed in an old diver’s suit hunting for sponges. The sculptors of the interior structures in this aquarium truly outdid themselves, as the fish had temple ruins, pots, and grand rock faces to swim around.

Besides its incredibly calming atmosphere powered in no uncertain terms the melodies of Enya, was that it inspired a desire to swim, to immerse myself in the very seas I had just glimpsed into. I kicked myself as we left the building, and my sister stared wistfully at the waves as the summer heat descended upon us once again. The sounds of children playing in the waves carried over to us as we walked to the car, and my sister groaned as the wave of heat hit us in the face as the hot air from my grandfather’s ancient Honda roared to life.

It was then that she recommended we try to visit one of the other places in the educational compound, since we had nothing else planned for the day. I shrugged and checked google for the hours. We had exactly one hour and forty-five minutes left to explore the place, so I nodded and made our way up the meandering road back to Dinosauria.

As I pulled up to the entrance, I had to laugh at the homage to the gates of Jurassic Park. The large Tyrannosaurus Rex head sat frozen in a triumphant roar over the entrance, and as we made our way inside the building we decided to refrain from paying for the extra experiences like the interactive science exhibits, seeing as we only had a short time to explore before we closed the place.

We passed under the legs of a large t-rex and into a dimly lit room with casts of enormous fossils. The bronze head of a triceratops was almost gold against the burgundy carpeted room, and the large stegosaurus skeleton cast a mighty shadow on the wall. To leave the room, we had to pass through a rotating tunnel of stars and comets, disorienting us as we traveled ‘back in time’ to the room portraying the annihilation of the dinosaurs. The room was a stage of chaos as the great comet plummeted to earth, destruction and chaos everywhere we looked. The children we passed along the way ‘oohed’ and ‘aahed’ at the tumultuous scene, concerned for creatures frozen in their swan song. My sister ducked under a wicker nest, giving a small start as she noticed the ‘dying’ plesiosaurus hidden among the reeds, but we cut our horsing around short as we heard the excitable sounds of what promised to be more children coming through the tunnel. In our most dignified manner, we followed the path to another tunnel leading to the outdoor area, and stood face to face with ‘life-sized’ animatronics.

Giant moving figures of rubber, metal and paint roared to life as we stepped onto hidden triggers in the pavement. We were greeted by sounds of the Triassic, Jurassic and Cretaceous periods all at once, as if a mad Greek John Hammond had sprung up and made these creatures real again. Well, perhaps not too real. I’ve seen animatronics of more fluidity, or paleontologically accurate paint jobs. However, the size and scope of these creatures was massive. Wandering the paths took us past an enormous Tyrannosaurus Rex that swung down its mighty head as we slowly walked around it. I marveled at the giant apatosaurus, the feisty liopleurodon frozen in the man-made lake, and of course at the fun sculpted rocks and waterfalls that lined the pathway. Though the heat was unforgiving, I had to admit that being out in the sun was more bearable when surrounded by giant, moving, and sometimes roaring dinosaurs.

Perhaps you think I’m teasing when I say this, but I had the time of my life here. I enjoyed the whimsy of it, not to mention how genuinely well researched and educational this experience was. Though I could not understand the children asking questions of their parents or their parents’ explanations, I heard how in awe they were of the giant beasts. And I have to admit, I was impressed by the scale of the attraction, and how well maintained their dinosaurs were. It was certainly a place I would go to again, especially if I had rambunctious children who wanted a break from all the culture that the adults were more likely to enjoy.

After a brief respite from the heat at the outdoor (but covered) café, where we shared a giant liter of water, my sister and I spent a few minutes contemplating buying enormous dinosaur plushies in the gift shop before ultimately deciding it was time to leave. Though the evening ahead of us was spent at our villa’s pool, relaxing as the heat finally subsided, we left the place with a sense that our day had been well spent. Perhaps the next day we would visit another archaeological site, or a highbrow museum. But today we had indulged in whimsy, and I believe every vacation needs just a touch of that along the way. 

By Katarina Kapetanakis

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Destinations

The Little Things: A Trip to Snail Farm and Fun

Considering the vast number of their species, I never spared much thought for the humble snail.


I’ve eaten plenty of escargot in my life without giving them a second thought. I have indulged myself on Cretan snails on several occasions, enjoying each savory bite. Still, for all my chomping and chewing, I did not spare much thought for the origins of the tiny creature mashed between my teeth. It’s not that I harbored any ill-will for them. I simply was not in the habit of thinking about snails at all.


That was to change in the summer of 2023. My sister and I were exploring the small beach town of Ammoudara, on the outskirts of Heraklion, when we first noticed the signs. They were delightful, hand-painted signs advertising Snail Farm and Fun, in the region of Tylissos. I had heard of the concept of a snail farm before, during a television special on a French snail farm, but had not thought about the concept in years. I didn’t realize that Greece, Crete especially, would finally give me the chance to investigate this curiosity. I made plans with my sister to visit the farm the very next day.


From Villa Bella Mare, where my sister and I were staying, it was a leisurely twenty minute drive up into the mountains into Tylissos. While the drive to Snail Farm and Fun was on paved roads for 98% of the drive, the final stretch was a very brief, well-maintained farm road that my grandfather’s 30-year old Honda was thankfully able to manage without issue. It was well marked with more of the signs, reassuring us that we were indeed headed in the right direction.


We met Vaso and her husband Stavros, the dynamic duo who own and operate the farm, as we pulled in. Vaso directed us where to park, and greeted us warmly. My sister and I glanced around the peaceful little farm, quiet except for the constant buzzing of the cicadas, and realized that we were the only visitors. I nervously asked if they were open to the public that day, as Google Maps had lied to me before when it came to operating hours. We had seen the sign, I told her, and we wanted to learn more about the snails. Vaso gave us a very enthusiastic ‘Of course we are open,’ and without any fuss led us into the shaded building where the snails were kept.


The snail enclosure was a long shed, with irrigation pipes designed for misting all above us in a grid. Under the green filtered light through the plastic siding, I saw rows and rows of V-shaped structures made of what I guessed was bamboo, the rungs spaced out an inch or so apart on each structure. There were about six long planters, with each planter containing about seven wooden structures, nestled amongst dirt and vegetation. Vaso led my sister and I down the gravel path in the snail enclosure until we came to the center, where she told us that, unfortunately, we wouldn’t see much snail activity that day. I asked her why that was, and realized that I had not actually seen any snails since I entered.


It was then that Vaso bent over and plucked what I thought was a stone from within the floor of one of the planters, and held her hand out to me. Sure enough, what I had assumed to be a rock was in reality a snail shell.


“They shed their shells, like hermit crabs?” I asked.


“No. This is their hibernation period. Look,” Vaso said, and flipped the shell over. Where I had expected a tiny, gelatinous body, was a hard, firm membrane covering the hole of the shell. “Snails actually hibernate from May to September, and as they sleep they add layers to the membrane. It protects them as they rest. You can tell how long they’ve been sleeping by how thick the membrane is.” To demonstrate this, Vaso pushed on the membrane of the snail in her hand until it came away, and held it up to show us the thickness of it. She pocketed the snail to cook it later, as it would not be able to reseal itself.


The Cretan people have a rich history of using snails as food dating back to the ruling Minoans. Though many consider snails a delicacy, the Cretans were kept alive by snails during periods of political turmoil and famine. When the Minoans starved after their civilization collapsed, they were not only able to survive on fish, but the snail. During World War 2, when Crete was occupied by the German army, the people of Crete staved off starvation by eating wild snails. They are a staple of Cretan cuisine, and many snails used by restaurants are still sourced from the wild. Farmed snails are often exported to restaurants on the mainland, where Cretans who have since migrated still crave the flavor of home. The spiral of the snail shell became prominent in Cretan art and jewelry, becoming a symbol of life, eternity, and synonymous with the famed Labyrinth of mythology.


You can imagine the awe with which I stared at the little thing sitting squarely in Vaso’s palm as she told me all of this. I had never put much thought into the creature’s existence before that day, but I realized that, ironically, this little invertebrate was the backbone of a people.


Vaso pointed to the clusters of snails that lay on the ground around the poles and clung to the underside of the V-shaped structures. She told us that snails tend to group together when they hibernate for protection, and in the wild hibernated together on the barks of trees where they will be camouflaged. The enclosed green snail house acted in a similar fashion to protect the snails from threats of birds or slugs that could take advantage of them at their most vulnerable.


“Slugs eat snails?” I asked, shocked that a creature I assumed was related to snails would so brutally turn on its brethren.


Vaso emphatically insisted that they do, and that they were not, as I had ignorantly assumed, brethren at all. Slugs are often a worse predator for snails than even larger animals, gooey terrors that they are. Vaso then pointed out the tiny white circles I had mistaken for gravel and showed me that they were, in fact, snail eggs. Snails are hermaphrodites, and after mating both parents lay a clutch of anywhere between 60-100 eggs. It takes a snail 30+ hours to lay a clutch, during which the snail is vulnerable to attack, (and I was beginning to question when they weren’t vulnerable, for all the good their shells do them). The infant snail grows exponentially, growing from the size of a pinhead to a pinkie nail in less than a year. Their shells, which they are born with, act like a tree stump, in that you can tell the age of a snail by how large their shells grow.


My sister then asked about the diet of the snails, and Vaso explained that they eat mostly vegetation, but are extremely picky. For one, snails will refuse to eat food that is red. If they eat apples, or even eggplants, they must be cut open, and even then the snails only eat the white fruit inside. They will not touch the skin at all. Her snails have a distaste for spinach, and most herbs, but make an exception for parsley. And she’s noticed, through years of trial and error, that their favorite food is zucchini.


The love Vaso has for her snails is apparent when she gives you this tour. She and her husband have been farming snails for 13 years, and they constantly experiment with finding the best ways to help enrich the lives of their ‘livestock.’ For the past three years, in fact, Vaso has taken to moving her snails to an outdoor enclosure just next to the building where they hibernate, so that they may spend their waking hours in an environment as close to nature as possible. There they can explore rocks and vegetation, eat, exercise, and even mate. Vaso says that, like cows, the act of going to a kind of pasture is enriching, and though they don’t possess enough neurons to truly ‘feel,’ it makes the snails seem happier. And happier snails lead to a better crop.


Vaso’s farm exports anywhere between 2 and 2.5 tons of snails a season, (as snails do, in fact, have a season). In order to keep farming, she must keep at least 200 kilos of snails in order have enough of a population to make more snails. Vaso explained that you have to wait a couple of years before the snails are ready to eat, as they must be big enough to be sustainable. Though the previous two seasons had not been as good as they’d hoped, Vaso and Stavros still loved their snails, their farm, and had hope that this season would be better.


After the tour, we spent a brief period enjoying the shade and the cicadas with our hosts, who offered us a refreshing glass of water to take the edge off of the oppressive heat. We chatted about life and mundane things for a while, until two additional families arrived, eager and excited to see the snails. My sister and I stayed briefly to finish our conversation with Vaso and Stavros, but though we were welcomed to stay and relax while Vaso gave her next tour, we declined and let her get back to work. Before I left I confessed to Vaso that I was a writer, and I asked permission to write about her farm. She consented, and we laughed together about how I had been acting as a ‘spy’ all afternoon. As I drove away, I felt contentment coupled with a deeper appreciation not just for the Cretan snail, but for the warmness and kindness of the Cretan people.


Snail Farm and Fun was one of the most incredible experiences I had during the 2023 summer, and it wasn’t just because I learned about the fascinating life of a snail. It was more so that I had gained a deeper appreciation for the little things that exist on this earth, thanks in large part to the hospitality I experienced at this snail farm. I realized that this farm exemplified what was special about Crete: A wonderful conversation between strangers at a snail farm, a moment in the shade, a smile… and yes, the snails.
Importance, in truth, is stored in the little things.

By Katarina Kapetanakis

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